![]() The poem consists of a total of six quatrains, stanzas having four rhyming lines each. He talks of public renown and praise as fleeting and unpredictable, and these are ideas that closely relate to Tennyson’s own life as a poet and the Poet Laureate of the UK. He writes the poem in the first-person point of view, and it appears as if Tennyson could be the speaker himself. ![]() ![]() Tennyson uses a straightforward premise to communicate a deep, resounding parallel to reality. Tennyson’s “The Flower” is a lyric poem narrated in the form of a “little fable”. Their art is subject to the judgment and criticism of all the people who witness it. The flower has lost its uniqueness, and therefore, the very people who marveled at it for a fleeting moment now go back to calling it a “weed.” Artists can never receive or expect complete praise for what they have created. Now that everyone can access the seed, it has become a common phenomenon. However, Tennyson points out the flighty, transient nature of popularity in society through the ending. The speaker says that everyone can recreate the beauty of the flower now because they possess the seed (idea) that was originally his. These stolen seeds, when they became flowers, were met with praise and renown by the same people who criticized the parent flower. Then, as the flower grew taller and more beautiful as if it were wearing a “crown of light,” some thieves stole his seed and planted it everywhere. They kept deliberately criticizing his beautiful creation every time they went around his garden, muttering to themselves in scornful resentment. The speaker in the poem says he planted a seed in the ground, which grew to be a flower, and people called it a mere “weed”. Through the image of planting and tending to a flower, he says how people will scorn individuals who work hard to create art just because they don’t realize its true beauty. In “The Flower,” Tennyson uses an extremely simple yet effective comparison to point out the value of individual effort in a materialistic, excessively critical society.
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